A Crescent City Christmas Carol
New Orleans musicians deck the halls of NBC comedy
series
Sunday, December 03, 2006
Dave Walker, Times-Picayune
Troy
"Trombone Shorty" Andrews will make his acting debut
on national television during Monday night's episode of "Studio
60 on the Sunset Strip," which will conclude with a band
of New Orleans musicians playing a Christmas carol.
And for those sublime circumstances we can thank
Tommy Schlamme and Aaron Sorkin.
They are executive producers of the show (as
well as "Sports Night" and "The West Wing"
before it), which is about the backstage drama at a weekly
sketch-variety show very much like "Saturday Night Live."
In the episode, which airs at 9 p.m.
on WDSU-Channel 6, multi-instrumentalist Andrews
plays a New Orleans evacuee drafted to sub for one of the
trumpet players in the show's house band.
The story then expands to include a reunion
of displaced New Orleans musicians for the show's finale.
In a telephone interview, Schlamme said Andrews
and the rest of the group -- which includes tubist Kirk Joseph,
drummer Bob French and trumpeter Mervin "Kid Merv"
Campbell, among others -- were assembled with the help of
Bill Taylor of the Tipitina's Foundation.
A Texas native and thereby a frequent visitor
to New Orleans, Schlamme directed John Goodman in the 1995
TV movie "Kingfish," then fell in with Goodman's
local crew so thoroughly that he later attended Jazzfest with
them and thereby gained an even deeper appreciation for New
Orleans culture.
These story lines were about more than indulging
personal musical preferences, he added.
"Aaron was interested, first and foremost,
in the emotional story of these guys," director Schlamme
said of his writer-partner Sorkin. "They were unbelievable.
It's not an easy thing. You're in and out when you shoot.
We did 50 different camera setups, and they had to perform
to the (pre-recorded) playback each time.
"Shorty was a consummate professional."
Schlamme added that gathering the musicians
for the Los Angeles filming -- travel expenses to L.A. paid
personally by Schlamme and Sorkin -- allowed the show's cast
and crew to reconnect with the personal devastation and diaspora
that Hurricane Katrina and the subsequent levee failures wrought.
It also allowed a real-life reunion for some
of the players, some of whom relocated to other states post-K.
Andrews was late arriving for the carol pre-recording
session, and some of the other musicians "didn't know
that Trombone Shorty was going to be there," Schlamme
said. "When he came through the doors, it was really,
really moving. Some of them hadn't seen him since Katrina.
They all had their own tales, which for all of them was a
very personal thing. 'Here's what happened to me, in the water
three days and I needed to get rescued.' "
Acting "was a whole 'nother experience
for me," Andrews said. "I've done things, but it
wasn't acting. It was more of just like documentary-type settings.
"It was a real mind-blowing experience
for me, because I was actually in a whole other art form.
I was just excited to be able to sit there and see how well
the other actors work, and how they work together.
"Just by me sitting watching the professionals,
I got more comfortable watching for a few hours. Everybody
was messing up.
"It was just like when you're doing a record.
You keep doing different takes. After watching the main actors,
I got real comfortable, and when my part came I was ready
to knock it out."
And now he's ready to enjoy the result.
"It's my debut in the acting thing,"
he said. "It's short lines, but minutes are long on TV.
I'm real excited, so I might throw together a little watching
party somewhere."
Article from the New Orleans Times-Picayune,
12/3/06.
Written by TV Columnist Dave Walker.
Click
here to view the article as it originally appeared on nola.com
Studio
60 on the Sunset Strip
Monday, December 4th, 9pm CST on NBC
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